An Open Letter to Utah Democrats, Both Young and Old

Image courtesy or utdemocrats.org

The future of the Utah Democratic Party is in jeopardy. If you're a Democrat in the nation's most conservative state and you don't see it then take another look. We're in trouble. We just suffered our worst election loses since 1994. Our numbers in the Utah Legislature our pathetic. In the House and Senate combined there are 80 Republicans and 24 Democrats. Let me repeat. Twenty four.

Those numbers should terrify you even if you're not a self-identified Democrat. Utah is in desperate need of balanced government. A government made of super majorities and little debate is a dangerous one, and we're living it Utah. However, it's worse if you're a Democrat - you're facing extinction even if you won't admit it.

Think about it. Our numbers our terrible. They're flat out embarrassing. We were apathetic this last election cycle. We're all guilty and we should all take responsibility for our losses and lack of gains. I could have done more, much more, and you could have too.

We have put ourselves in an awful position. We head into redistricting with very little left to lose. In 2001 the Republicans gerrymandered us into an oblivion and they will do so again. Governor Herbert assured that on Friday when he declared an independent redistricting commission to be "unconstitutional." Give me a break.

The 2012 election cycle has all the makings to be a disaster. We're home to the Tea Party movement, people are conservative here and we cannot deny that. If the movement continues, having President Obama on the top of the ticket will rally Tea Party voters. I hate to say it, but it's true, and it gets worse. It's possible that Mitt Romney could headline or co-headline the Republican ticket. He's our golden boy. Utahns love him. Even though he governed Massachusetts just as a "Utah Democrat" would, it won't be good news for anyone with a "D" next to their name.

However, there is great hope. The odds are stacked against us. Our backs are up against the wall. Hell, can we really lose that much more? The answer is no, and we don't have anywhere to go but up. However, we're starting off on the wrong foot. Yesterday's Young Democrats of Utah (YDU) election made that crystal clear.

I've been on the YDU board for two years. It's been a great experience, and the organization has introduced me to so many great people -- many who are now great friends. I ran for a different position yesterday. I lost. The race was close, very close. I'm used to close races - my young political career (both personal races and those of others) has only been made up of squeakers. Actually I'd welcome a blow out or two. It might be less stressful. Anyway, I'm getting off topic. This isn't about me. And as I said yesterday in my campaign speech, Nicole Christensen will be a fantastic Communications Director, and I couldn't have lost to anyone better.

With that said, some of the behavior I noticed yesterday and the weeks preceding the election was unacceptable. This isn't meant to call people out or be accusatory, but it's meant to change behavior. We have to change the way we operate. None of us are perfect, but there is no place in Utah Democratic politics for name calling, backstabbing, and underhanded, shady dealings. We all play for the same team. We're too small to be so divided.

We're only signing our own death sentence. Inter-party challenges are fine. They're probably best. They keep us strong and prepared for general elections. However, we really need to take a step back and look at how they're done. Many left the YDU convention yesterday broken and hurt. Losing sucks, but YDU is too important to the future of the Democratic Party for so many to feel left out and betrayed.

The Jim Matheson and Claudia Wright contest earlier this year had the same undertones. There was fighting, name calling, and some gross nastiness. I supported Jim from the beginning and I stand by my decision. Has he always voted the way I would have liked? No way. However, it's always been my personal belief that we must put candidates on the ticket who are electable. Claudia Wright wasn't electable. November 2 proved that. Does that make a Claudia Wright supporter a lunatic? Certainly not. However is Jim Matheson a horrible wretched man? He most definitely is not. He represents his constituents, and most of his constituents are Republicans, so take from that what you will.

I'm pleading for a return to civility. We'll never post respectable numbers in Utah with such animosity. We're all Democrats. We're the party of inclusiveness. We're the party of the people. And if we truly believe that's the case then all viewpoints are welcome whether they're conservative or progressive.

We've got a long road to hoe and we need to have each other's backs. We must put aside our differences and unite. We must throw away our apathy and roll up our sleeves. On election night, I heard several well-known Democrats say, "there's nothing more we could have done." That's not good enough. We need to look at ourselves, figure out what we did wrong, and fix it. We're Utahns. We're the Beehive State for a reason, and Utah Democrats need to embody that. The only way we'll reap success is to work twice as hard as the opposing party. We have to beat them at their own game. Afterall, we're playing on their turf.

I want so much for us to shock the state and that nation with a great showing in 2012. I'm committed to all the hard work that it WILL take starting now. The question is, is anyone else?

Right Back Where I Started From

I'm on a roll. Three posts in two days. Craziness. I started blogging because of movies, so that's where I'll pick up.

As we enter awards season, the 2010 film landscape is in pretty good shape. We've had a handful of great films and we're only a few weeks into the fall. The Kids Are All Right and Inception are tied for my favorite film of the year and Toy Story 3 isn't too far behind. The Social Network, How to Train Your Dragon, and Shutter Island all are deserving of accolades as well. Though any novice Oscar watcher knows that the first 9 months of the year rarely matter. All the "quality" films come out post Labor Day. With that, here's a list of all the upcoming titles that I'm stoked to see.

October
Most looking forward to: Hereafter. Since Mystic River, I've only met one Clint Eastwood film I didn't like (Invictus). The concept here looks interesting and Matt Damon appears to turn in a great performance (hopefully one better than his Oscar-nominated turn in Invictus).



Others:
Conviction - A lot of people in Hollywood hate Hilary Swank for "undeservedly" winning two Oscars. However, Conviction looks to soften her hard girl persona. Plus I'm interested to see if the Academy will resist another Bening vs. Swank Best Actress Oscar race. Trailer here.
Paranormal Activity 2 - I really hope this isn't Blair Witch 2, but last year's surprise hit was so great I'm holding out hope that they avoid Blair's mistakes. Trailer here.
The Company Men - Last year was the "Year of Sandra Bullock." Depending on how The Company Men turns out, 2010 may be the "Year of Ben Affleck." It was well received at Sundance, so my hopes are high. Trailer here.
Waiting for Superman and The Pat Tillman Story - These two Sundance documentaries have been released in theaters already, but they don't reach Utah until later this month. They both look equally powerful. Superman trailer here. Tillman trailer here.

November
Most looking forward to: 127 Hours and Harry Potter and the Deathly Hallows: Part 1. I couldn't pick just one. Danny Boyle's follow-up to Slumdog Millionaire looks equally as exhilarating as the rags-to-riches drama. And how could anyone not be looking forward to the last installment of Harry Potter? The trailer teases the film as the best yet, and I couldn't be more thrilled that the film won't be in 3D.

127 Hours


Harry Potter and the Deathly Hallows: Part 1


Due Date - Todd Phillips' followup to The Hangover. Hopefully it's just as funny. Trailer here.
Fair Game - I love a good spy story. And a spy story with Sean Penn and Naomi Watts? I'm there. Trailer here.
For Colored Girls - Normally a Tyler Perry film would never make a list like this. However, the cast is terrific, so I'm holding out hope that it's this year's Precious. Trailer here.
Unstoppable - Chris Pine, Denzel Washington, and lots of explosions. Enough said. Trailer here.
Morning Glory - this looks like it could be just as bad as Katherine Heigl flick. Or it could be one of the few romantic comedies that surprises with its heart and intelligence. Trailer here.
Skyline - I don't know anything about this other than what I've seen in the trailer, and it's pretty intriguing. Trailer here.
Tangled - Princess and the Frog was disappointing. Tangled looks like it might reverse Disney's recent bad luck with hand-drawn animation. The images do look beautiful. Trailer here.
Love and Other Drugs - This may be this year's Up in the Air except sexier and maybe a little bit cheekier. At least that's the best case scenario. Trailer here.
The King's Speech - few films are buzzier than this one. The critics are jumping over themselves. I just hope that Colin Firth is fantastic and can win the Oscar he most deserved for last year's A Single Man. Trailer here.

December
Most looking forward to: The Fighter. I can't stand boxing in real life, but the sport does make for great film. I love this cast (Mark Wahlberg, Christian Bale, and Amy Adams) and the trailer is promising.



Black Swan - I'm not sure what to make of the trailer, but I'm very, very intrigued. Trailer here.
The Tourist - When the two stars of your film are both recognizable by their first names (Angelina and Johnny) you know you have a hit on your hands. Trailer here.
How Do You Know - I've missed Reese Witherspoon. She hasn't been in a good film since 2005's Walk the Line. Hopefully this is her comeback. Trailer here.
True Grit - This might be just as good as No Country for Old Men. If it is, we're in for a treat. Trailer here.
Blue Valentine - The MPAA just slapped this with an NC-17 rating. It'll be interesting to see how the studio handles that. It's said to be a tough watch, but the buzz surrounding Gosling and Williams is significant. Trailer here.
The Debt - I know nothing about this one, but the trailer looks like a smart, gritty action film. Trailer here.

Release Date TBD: These have yet to get a tentative release date, but I figure they'll be players in the Oscar race.
Rabbit Hole - when Nicole Kidman is on her game there are few actresses better. This looks to bring her back to the days of The Others, Moulin Rouge, and The Hours. Clips here.
Made in Dagenham - Could be this year's The Full Monty - a witty about "British rebellion." Trailer here.

By my count, that's at least 26 movies I'll be seeing over the next three months. Wish me luck.

The Space Between

It didn't take long, but I figured out my problem. I think. The "in between." See the blog title. Pop Culture, Politics and Everything In Between. I've never wrote about the in between. Movie reviews, quotes and cryptic Kelly Clarkson posts. That's all that made up my blog for the last year or so. Maybe I was too focused. Maybe I wasn't. But that's what I'll spend the next little while figuring out - how to write about the in between.

I'm still not sure how to classify that though. I won't ever become a blogger who posts about every life trial and tribulation. I've done that before. I'd rather not do it again. It's not for lack of material. I've got a few "personal doozies" up my sleeve that I need to save for my best-selling memoir when I'm 50. Maybe "Jason" is what was missing before. That's what makes writing (and blogging) special - the writer. Unique perspectives and voices are what differentiate us, and this blog needs to find it's voice again (or maybe for the first time). I'm not writing for anyone other than myself and I'm desperate to find the passion for writing that I once had.

So here's to a new online blogging adventure. I hope I don't give up this time.

Superfreak. Superfreak. I'm Super Freaky.

I'm not sure why I miss blogging, but I do. Though if I return to the blogosphere, I want my blog to be different, but I'm not sure how. I love pop culture and politics, but things around here were getting a little bland. So if I come back things are gonna change. Maybe.

I just know that I miss writing. I went through all of my college papers at my mom's today. And at the risk of sounding arrogant, I was a really good writer. Some of my papers were fairly impressive. I'm not sure what has happened since then, but I don't think any of my posts have been nearly as witty or clever as anything I turned in as school work. That's kinda ironic, isn't it?

Oh well. Maybe I'll come back and actually write about something interesting some day, but for now, I'm just perplexed.

With that, I'll leave you with a "quote of the week." I'm probably one of the 10 people on the planet still in love with Grey's Anatomy, but even so, I'll leave you with a quote from the forever wise Meredith Grey.

"Nobody chooses to be a freak. Most people don't realize they're a freak until it's way to late to change it. No matter how much of a freak you end up being, chances are there's still someone out there for you... Because when it comes to love, even freaks can't wait forever."

Talkin' Politics

You wouldn't know it from all my posts, but I love politics, and I proudly call myself a Utah Democrat. Given my partisan affiliation, I thought it was about time I ventured into the political arena here again. Luckily, I recently wrote a letter to the editor that got published in three of Utah's four papers. This isn't a big deal, but excuse me while I congratulate myself. So just in case you missed it, which you probably did, my latest thoughts on Utah gubernatorial candidate Peter Corroon:

"It's no secret that our economy is struggling. Unemployment is at 7.2 percent and the state has lost 72,000 jobs over the past two years.

The job issue won't fix itself. Utah legislators have been ineffective in addressing the job and economic crisis. This past session they dodged the important issues by wasting time with "message bills" and other non-issues.

With a state budget shortfall projected around $100 million, many of our lawmakers have neglected to propose solutions that create jobs and increase revenue.

Gubernatorial candidate and Salt Lake County Mayor Peter Corroon presented his job plan for Utah ("Corroon wants tax break for companies," Tribune , June 10). His plan strengthens Utah's economy by supporting Utah's most important asset, its small businesses.

Utah has the highest number of small businesses per capita in the nation, and the current state government's strategy of attracting big business leaves bright-minded entrepreneurs and working families behind. Without raising taxes, Corroon's plan will invest in our future while putting Utahns back to work.

I am excited by Corroon's plan and look forward to hearing his other inventive solutions for Utah."

Published at the following links: here, here, and here.

"Empty Handed" & "After the Love"

I'm not sure how I missed this, but nearly ten months ago two unreleased Kelly Clarkson songs, "Empty Handed" and "After the Love," hit the web. I stumbled upon them this weekend, so if you too missed them, they're embedded below. "Empty Handed" is the better of the two, and while neither would be chart busters, they're singer-songwriter ditties that'll please any Clarkson fan.

"Empty Handed":



"After the Love":

Better Days

Following in the footsteps of American Idol alums Kris Allen and Allison Iraheta, Kelly Clarkson and Chris Daughtry took the stage this weekend and proved that American Idol has seen better days.



And Kris and Allison's killer pairing, just in case you missed it:

"This Could Break My Heart or Save Me"

I haven't written about Kelly Clarkson in 160 days. For me, that's probably 159 days too many. So here's a "just because" Kelly post.

Back in 2007, Ms. Clarkson's second single, "Sober," from her album My December tanked. It went nowhere on the radio and online sales were sparse. The song's poor performance effectively ended promotion for the album and it was labeled a failure. However, nearly three years later, "Sober" is still one of the best song's in Kelly's repertoire. If you haven't heard it, or if it's been a while, take a listen:

Why I Loved LOST

Spoiler Alert: If you haven't seen last night's lost finale you may want to avoid this post.

Last night was the big night. The night when six years of questions were finally supposed to be answered. Now, less than 24 hours after the conclusion of LOST (the biggest event of the decade according to ABC), many fans are up in arms that they didn't get enough answers. However, I'm not one of the pissed off Losties. I'm as pleased as can be. After the finale, I realized I didn't need answers. I never watched LOST for the mystery and science, I watched it because I loved the characters. And that's where LOST's finale succeeded - it was about the characters and not the fantasy.

Shows that rely heavily on mythology (like LOST, Battlestar Galatica, or even Alias) only succeed because, at their core, they're character studies. LOST wasn't about an island with supernatural powers, it was a story about a group of flawed strangers trying to survive together. My favorite episodes of LOST weren't episodes where they explored the fantastical nature of the island, but when we learned more about the castaways. Sure the polar bear, the disappearing island, and the time travel were interesting, but they don't make a show. LOST's best moments were the moments when we truly felt and understood the lives of these characters: when Michael shot Libby and Ana Lucia, when Sun thought Jin died, or when Sawyer and Juliet passionately reunited in the finale.

Contrast those moments with some of LOST's worst: the recent episode which gave us answers to Jacob and the Man in Black (not even Allison Janney could save that snoozer) or when Michael returned and we learned the origin of the islands whispers, and you'll too discover that there was little satisfaction in uncovering LOST's mysteries.

LOST's answers were always disappointments. That wasn't a bad thing either. The beauty of LOST was that each audience member could reach their own conclusion about the islands various mysteries. The concept of "choose your own adventure" theories, made for a more captive and invested fan base.

The only reason anyone is debating the finale is because of the rabid fan base. However, without a stellar cast of characters that fan base wouldn't exist. We kept getting LOST week after week because we cared about the outcome of Jack, Kate, Sun, and Sawyer. And now that we've reached the end, we should all be thankful for the wonderful ride.

Still All Right

Spring is always a slow time for films. It's where studios burn off shoulda-coulda-woulda Oscar contenders and not-quite-there-yet summer flicks. Instead of recapping all the films that I've neglected to blog about individually, here's a list, from best to worst, of everything I've seen in 2010.

The Kids are All Right - The Sundance darling is still hanging in there as this year's best pic. Previous review here.

Shutter Island - The DiCaprio-Scorsese tandem has yet to misstep. While not as critically beloved as The Departed or The Aviator, Shutter Island is smart, tense, and impeccably made. Grade: A-

How to Train Your Dragon - Depending how critics and audiences react to Toy Story 3 and Tangled (Disney's take on the story of Rapunzel) later this year, a studio other than Disney/Pixar may walk away with the Best Animated Feature Oscar next year. How to Train Your Dragon was everything an animated film should be: imaginative, fun, and fully of whimsy. Grade: B+

Alice in Wonderland - I'm in the minority, but I love when Tim Burton goes "commercial," and Alice was no exception. Grade: B+

Freedom Writers - A solid documentary that not enough people will see. Previous review here.

Date Night - Not even the dream team of Steve Carrell and Tina Fey can save a script that is too unfocused. However the Carrell-Fey combination could make the phone book funny, and in the end, Date Night is worth watching just to see them together. Grade: B

Tucker & Dale Vs. Evil - Hopefully this one catches audiences' attention later in the year because it could be a promising franchise. Previous review here.

Robin Hood - Robin Hood is a mediocre film that doesn't do anything wrong, but it doesn't do anything great either. The entire film feels like a setup for a franchise. We'll see if Universal even gets that far. Grade: B-

Iron Man 2 - Iron Man 2 failed where the first film succeeded. There were too many characters and far too many storylines. Sometimes simpler is better, even for Tony Stark. Grade: B-

Percy Jackson and the Olympians: The Lightening Thief - Another great concept and story castrated by the limp film-making skills of Chris Columbus (see previous offenses: Rent and the first two Harry Potter films). Grade: B-

Clash of the Titans - The film wasn't terrible, but Percy Jackson made Greek mythology a whole lot more fun. Grade: C

Green Zone - Unlike the DiCaprio-Scorsese tandem the Damon-Greengrass pairing is no longer unblemished. Green Zone was run-of-the-mill and remarkably boring. Damon and Greengrass should stick to the world of Jason Bourne. Grade: C-

The Book of Eli - Sure, the twist ending was good, but everything else about Eli was a post-apocalyptic drag. Grade: D+

Splice - One of the worst movies ever. Period. Previous review here.

"Terrified"

After a three month hiatus, I'm back with my self-important and (mostly) meaningless blog posts. The world is the same as it was three months ago, when I last posted about the Oscars (shocker!). American Idol continues to disappoint, Glee is the gayest thing on television, and I still have an unhealthy crush on Kelly Clarkson. Well, I guess the passing of the health care bill was a "big f*cking deal," but I digress.

It would've been great to come back into the blogosphere with an earth-shattering entry. Unfortunately, for anyone reading this, I'm back with something that is neither timely nor relevant. I've already posted the subject on facebook and twitter, but I guess it's worth using 300 words on the subject anyhow.

It's a well-known secret that this season's American Idol is the reality juggernaut's worst. Simon is coasting, Ellen is a disappointment, and if it weren't for Crystal Bowersox we'd be headed for the worst Idol winner since that gray-haired train-wreck, Taylor Hicks. Other than Mama Sox, there has been one great find this season -- "Terrified," an unknown song written by Idol's newly-crowned cougar, Kara Dioguardi.

Didi Benami, one of the many female contestants eliminated faaaaar too early this season, put the song on the map in the early Hollywood rounds. See below:



After falling in love with Didi's version I found the "original" version recorded by another American Idol alum, Katharine McPhee, last year. The song has already broken 50 plays on my iTunes play count. Not too shabby for a song that I downloaded only a few months ago. If you haven't heard the song, take a listen. Every so often it's good to be a little "Terrified:"

Oscar Predictions

I haven't been much of a blogger lately, but with the Oscars this Sunday I couldn't let them go by without my (likely incredibly wrong) predictions. With that, here we go. (Excluding races like animated short and documentary feature, since I've seen hardly any of the nominated films.)

Best Picture
Nominees: Avatar, The Blind Side, District 9, An Education, The Hurt Locker, Inglourious Basterds, Precious, A Serious Man, Up, Up in the Air
Will Win: The Hurt Locker seems destined to become the lowest-grossing Best Picture winner ever. Avatar will win the most awards, but The Hurt Locker will come away with the one that matters. I can't see the Academy going for Avatar, not without screenplay or acting nods.
Should Win: Up. Two months ago, in my "Best of 2009" post, I named Up my favorite flick. So for consistencies sake, I'm sticking with my unpopular choice.

Best Director
Nominees: James Cameron, Avatar; Kathryn Bigelow, The Hurt Locker; Quentin Tarantino, Inglourious Basterds; Lee Daniels, Precious; Jason Reitman, Up in the Air
Will & Should Win: Kathryn Bigelow has swept all the precursor awards and Oscar night should be no different. She created, without question, the year's most intense film.

Best Actor
Nominees: Jeff Bridges, Crazy Heart; George Clooney, Up in the Air; Colin Firth, A Single Man; Morgan Freeman, Invictus; Jeremy Renner, The Hurt Locker
Will Win: Jeff Bridges will take home this year's "Lifetime Achievement Oscar." It doesn't hurt that his boozy performance is pretty dang good.
Should Win: Colin Firth's career-making performance in A Single Man was everything an Oscar-winning performance should be.

Best Actress
Nominees: Sandra Bullock, The Blind Side; Helen Mirren, The Last Station; Carey Mulligan, An Education; Gabourey Sidibe, Precious; Meryl Streep, Julie & Julia
Will Win: "Sandy" Bullock has everything going for her. She has the precursor awards, the "paid her dues" factor, and everyone in Hollywood loves her. Hopefully a win will lead to her making better movies. Oscar winners don't star in All About Steve, Sandra. Take note.
Should Win: Gabourey Sidibe. Two months ago I said Meryl Streep. However, if I were voting I'd go with Gabourey Sidibe and her heart-breaking turn in Precious.

Best Supporting Actor
Nominees: Matt Damon, Invictus; Woody Harrelson, The Messenger; Christopher Plummer, The Last Station; Stanley Tucci, The Lovely Bones; Christoph Waltz, Inglourious Basterds
Will & Should Win: Christoph Waltz is a virtual lock to take home the golden statue for his deliciously evil portrayal of a fictional Nazi colonel.

Best Supporting Actress
Nominees: Penelope Cruz, Nine; Vera Farmiga, Up in the Air; Maggie Gyllenhaal, Crazy Heart; Anna Kendrick, Up in the Air; Mo'Nique, Precious
Will & Should Win: Mo'Nique's tour-de-force performance in Precious is in a completely different league than the rest of the nominees.

Best Adapted Screenplay
Nominees: An Education, In the Loop, District 9, Precious, Up in the Air
Will & Should Win: Up in the Air contained the year's smartest and wittiest dialogue. It should take this in a cakewalk.

Best Original Screenplay
Nominees: The Hurt Locker, Inglourious Basterds, The Messenger, A Serious Man, Up
Will Win: Inglourious Basterds. Just how Adapted Screenplay will be Up in the Air's big consolation prize, the Original Screenplay award will likely be runner-up prize for Tarantino's "Holocaust reinterpretation."
Should Win: Up. Again, many will disagree, but I'd give the award to Up for delivering the year's most affecting storytelling.

Best Art Direction
Nominees: Avatar, The Imaginarium of Doctor Parnassus, Nine, Sherlock Holmes, The Young Victoria
Will & Should Win: Avatar succeeded largely on artistic vision, so the film should be the frontrunner here.

Best Cinematography
Nominees: Avatar, Harry Potter and the Half-Blood Prince, The Hurt Locker, Inglourious Basterds, The White Ribbon
Will & Should Win: Avatar was 2009's most beautifully shot film. Again, it should win this one fairly easily.

Best Costume Design
Nominees: Bright Star, Coco Before Chanel, The Imaginarium of Doctor Parnassus, Nine, The Young Victoria
Will & Should Win: The Young Victoria. The Academy loves a period piece, and the costumes in The Young Victoria were impeccably "Victorian."

Best Film Editing
Nominees: Avatar, District 9, The Hurt Locker, Inglourious Basterds, Precious
Will Win: The Hurt Locker. Kathryn's Bigelow's film is highly-regarded in many circles, and that love should carry over into an editing win.
Should Win: Avatar. Before nominations, I would've gone with Up in the Air, but it stunningly was left off the list. However, he final action scene in Avatar is reason enough to bestow James Cameron's epic with Best Editing.

Best Makeup
Nominees: Il Divo, Star Trek, The Young Victoria
Will & Should Win: Star Trek. The film with the truly the best makeup job (District 9) isn't even nominated, so Star Trek wins by default. It did have a green woman...

Best Original Score
Nominees: Avatar, Fantastic Mr. Fox, The Hurt Locker, Sherlock Holmes, Up
Will & Should Win: Up. Nearly the first ten minutes of Up contain no dialogue. Michael Giacchino's score should receive the award for carrying the film that long, not to mention they're the most moving ten minutes of the entire picture.

Best Original Song
Nominees: "The Weary Kind," Crazy Heart; "Almost There," Princess and the Frog; "Down in New Orleans," Princess and the Frog, "Take it All ," Nine; "Loin de Paname," Paris 36
Will & Should Win: "The Weary Kind," Crazy Heart. No song was more integral or more powerfully used in a storyline than "The Weary Kind" in Crazy Heart.

Best Sound Editing
Nominees: Avatar, The Hurt Locker, Inglourious Basterds, Star Trek, Up
Will Win: Avatar. When you spend $500 million on a film, there's a reason it will sweep the majority of the Oscar tech awards.
Should Win: Star Trek. The use of sound in Star Trek blew me away, but it's being overshadowed by the "Biggest Film of All Time."

Best Sound Mixing
Nominees: Avatar, The Hurt Locker, Inglourious Basterds, Star Trek, Transformers: Revenge of the Fallen
Will Win: Avatar. See above.
Should Win: Star Trek. Again, see above.

Visual Effects
Nominees: Avatar, District 9, Star Trek
Will & Should Win: Avatar. Easiest prediction by far.

Animated Feature Film
Nominees: Coraline, Fantastic Mr. Fox, Princess & the Frog, The Secret of Kells, Up
Will & Should Win: Up. It's nominated for Best Picture, and it's my favorite picture (regardless of medium) for the entire year, so it's is the easy choice.

Predicted Awards Tally: Avatar - 6 , The Hurt Locker - 3 , Crazy Heart - 2, Inglourious Basterds - 2, Up - 2, Precious - 1, Star Trek - 1, Up in the Air - 1, The Young Victoria - 1

"I Got You"

Two years ago, Leona Lewis was the biggest name in pop music. Her debut album Spirit, and its lead single, "Bleeding Love," took the world by storm. One would think her insane success would guarantee automatic sales of her sophomore album, Echo. That hasn't been the case. Her sales have sagged, especially in the U.S., even though Echo is flat out better than Spirit. Lewis just released the video for the album's second single, "I Got You." The song is fantastic, just try not getting the chorus (And when you need a place to run to/ for better for worse/ I got you) stuck in your head -- it's impossible. It's definitely one of her best.

Video:

And for those who missed out on "Happy," the catchy yet (slightly) schmaltzy lead single, watch the video. It's good stuff. Embedded below:

"You're All I Need"

It's Valentine's Day, so it's the perfect excuse for me to post two of the best scenes from my all-time favorite television pairing, Alias' Sydney and Vaughn. They likely won't mean much for anyone who hasn't seen the show, but they're adorable nonetheless.

Vaughn: Syd, this watch belonged to my father. It's broken now, but it used to keep perfect time. And when he gave it to me, he said, "You could set your heart by this watch." It stopped October first -- the day we met.

Clip:



Vaughn: We're not gonna make it out of here. There's something I need you to know.
Sydney: Vaughn...
Vaughn: In my life, there's only one person...
Sydney: Don't do this.
Vaughn: Look at me.
Sydney: Vaughn...
Vaughn: The only reason I pushed you away...
Sydney: Please...
Vaughn: The only reason I didn't know how to be around you...
Sydney: They're coming.
Vaughn: Sydney...
Sydney: I know, Vaughn. I know. We'll find each other. We always find each other.

Clip:

"In My Book You'll Always Be Client #1"

I've always loved Saturday Night Live's Weekend Update, but these crass Valentine's Day cards from Eliot Spitzer might actually make V-Day more enjoyable.

Video:

If I Were an Academy: 2009 Edition

It's that time of year again: Oscar nomination time. Tomorrow the Academy of Motion Picture Arts & Sciences will announce the 2010 Oscar nominees, and as always, I am stoked. Unlike many critics, I think 2009 was a fantastic year for film. Better than most years in recent memory. It was a year that contained crowd-pleasing comedies (The Hangover, Julie & Julia), animated films with multi-generational appeal (Up, 9, Fantastic Mr. Fox), gut-wrenching dramas (The Hurt Locker, Precious, A Single Man), and, oh yeah, what will soon be the highest grossing film of all-time (Avatar). With that, what follows is my "ballot" if I were an Academy member, as well as my 2010 Oscar predictions. (And as a note, I've seen almost everything worth seeing, but not quite.)

Top Ten / Best Picture
1. Up. Without question, Pixar's best and most moving film. The film's opening 15 minutes are some of the best ever.
2. A Single Man. The best "gay movie" I've seen. Yes, better than Brokeback Mountain. Tom Ford's directorial debut is beautifully shot, incredibly acted, and utterly moving.
3. Precious. This wake-up call for all of America features two dynamite performances from Mo'Nique and newcomer Gabourey Sibide.
4. Avatar. The story isn't the most original, but the groundbreaking visuals are an absolute spectacle, and worth seeing again, and again, and again.
5. The Hurt Locker. A Single Man may be one of the best "gay" movies ever made, and The Hurt Locker may be one of the best war films ever made. Kathryn Bigelow's detailed direction makes The Hurt Locker the definition of a nail-biter.
6. Up in the Air. The movie of the moment. Jason Reitman's third film is the perfect film to describe the state of America in 2009.
7. Where the Wild Things Are. Maurice Sendak's beloved short story becomes an even better film that brings out the child in all of us.
8. (500) Days of Summer. The year's best romantic comedy, and it isn't even a feel-good love story.
9. Inglourious Basterds. Tarantino rewrites history and it couldn't be more fun. As with Up, the film's opening sequence is absolute brilliance.
10. District 9. The rare sci-fi flick that's both intelligent and entertaining.

What Will Actually Be Nominated: An Education, Avatar, District 9, The Hurt Locker, Inglourious Basterds, Invictus, Precious, A Serious Man, Up, Up in the Air

Best Director:
Kathryn Bigelow, The Hurt Locker
Tom Ford, A Single Man
James Cameron, Avatar
Jason Reitman, Up in the Air
Pete Docter, Up

Who Will Actually Be Nominated: Bigelow, Cameron, Lee Daniels (Precious), Reitman, Quentin Tarantino (Inglourious Basterds)

Best Actor
Colin Firth, A Single Man
Jeremy Renner, The Hurt Locker
Max Records, Where the Wild Things Are
Joseph Gordon-Levitt, (500) Days of Summer
George Clooney, Up in the Air

Who Will Actually Be Nominated: Jeff Bridges (Crazy Heart), Clooney, Firth, Morgan Freeman (Invictus), Renner

Best Actress
Meryl Streep, Julie & Julia
Gabourey Sibide, Precious
Sandra Bullock, The Blind Side
Carey Mulligan, An Education
Emily Blunt, The Young Victoria

Who Will Actually Be Nominated: Blunt, Bullock, Mulligan, Sibide, Streep (We agree! Go figure.)

Best Supporting Actor
Christoph Waltz, Inglourious Basterds
Peter Calpadi, In the Loop
Anthony Mackie, The Hurt Locker
Zach Galfanakis, The Hangover
Stanley Tucci, Julie & Julia

Who Will Actually Be Nominated: Matt Damon (Invictus), Woody Harrelson (The Messenger), Alfred Molina (An Education), Waltz, Tucci (The Lovely Bones)

Best Supporting Actress
Mo'Nique, Precious
Julianne Moore, A Single Man
Vera Farmiga, Up in the Air
Diane Kruger, Inglourious Basterds
Anna Kendrick, Up in the Air

Who Will Actually Be Nominated: Farmiga, Kendrick, Melanie Laurent (Inglourious Basterds), Mo'Nique, Moore

Original Screenplay
Up
(500) Days of Summer
The Hurt Locker
Inglourious Basterds
The Hangover

What Will Actually Be Nominated: A Serious Man, (500) Days of Summer, The Hurt Locker, Inglourious Basterds, Up

Adapted Screenplay
Up in the Air
A Single Man
Where the Wild Things Are
Precious
In the Loop

What Will Actually Be Nominated: An Education, District 9, Fantastic Mr. Fox, Precious, Up in the Air

2009's Best (and Worst) of the Rest
11. An Education
12. Star Trek
13. Julie & Julia
14. The Hangover
15. In the Loop
16. Fantastic Mr. Fox
17. Zombieland
18. Adventureland
19. Food Inc.
20. Harry Potter and the Half-Blood Prince
21. Paranormal Activity
22. I Love You, Man
23. The Proposal
24. 9
25. Sunshine Cleaning
26. The Blind Side
27. Earth
28. The Road
29. The Princess & the Frog
30. Invictus
31. Duplicity
32. The Time Traveler's Wife
33. Coraline
34. The Invention of Lying
35. The Young Victoria
36. The Informant!
37. Bruno
38. Surrogates
39. Taken
40. X-Men Origins: Wolverine
41. Law Abiding Citizen
42. G.I. Joe: The Rise of the Cobra
43. He's Just Not That Into You
44. 2012
45. Transformers: Revenge of the Fallen
46. The Men Who Stare At Goats

Sundance Recap 2010

Growing up in Utah, and loving movies as much as I do, you'd think that I would've broken my Sundance virginity long before 2010, but it wasn't meant to be. However, I finally popped my film festival cherry this year (four times over). With that, here's my Sundance 2010 recap.

Tucker & Dale vs. Evil: Tucker & Dale vs. Evil may be 2010's Zombieland: a rare horror comedy that's actually funny. As with most good comedies, the plot is simple and the laughs are organic. Two hillbillies, Tucker & Dale (Alan Tudyk, Tyler Labine), are mistaken as psychotic serial killers by a group of college kids on a weekend camping trip. Queue hilarity. The script is perfection for this type of comedy, but Tudyk and Labine really sell it. Their chemistry is palatable, and there's no doubt that these bumbling idiots were meant for each other. They're so good that one can only hope this successful pairing translates into a Tucker & Dale franchise. Grade: B+

Freedom Riders: Freedom Riders is the real story of America's true heroes who stood up and fought for the change they believed in. The documentary sheds new light on the courageous young men and women who rode buses across the southern United States and defied bigotry and the government to stand up against racial segregation. Unlike many documentaries, Freedom Riders shuns the use of a narrator, to the film's benefit, and lets the remarkable story sell itself. The documentary also disregards the legends of both John F. Kennedy Jr. and Martin Luther King Jr., and portrays them not as larger-than-life heroes, but as regular leaders thrust into the middle of a crisis. Freedom Riders is a film that every American should see, if only to remind us of our embarrassing past, and to ensure that history never repeats itself. Grade: A

The Kids Are All Right: The Kids Are All Right, written and directed by Lisa Chodlenko, couldn't come at a more perfect time. In 2010, when gay marriage is still one of the country's most hotly-debated topics, The Kids Are All Right proves that whether gay or straight, commitment and love trump a government's definition of family. Nic (Annette Bening) and Jules (Julianne Moore) have been together for 18 years and have two children (Mia Wasikowska, Josh Hutcherson) from the same sperm donor. Their marriage has the same quirks as any other, but gets complicated when the kids seek out and bond with their biological father (Mark Ruffalo). Chodlenko's script is accessible and laugh-out-loud funny, and her direction is spot-on. The film is a crowd-pleaser. However, it's the two leading ladies that steal the show. The pairing is nothing short of sensational. Bening is irresistibly likable and Moore has never been more relatable. It's far too early for this kind of talk, but one of these women could (and should) finally walk away with her first Oscar statuette come 2011. The Kids Are All Right, is more than alright, it's relevant, heartfelt, witty, and fantastic. Grade: A

Splice: I wouldn't be surprised if Splice was the worst film to come from Sundance 2010. With names like Adrien Brody, Sarah Polley, and Guillermo Del Toro, attached Splice should have been one of the Festival's biggest successes. However, the film does about everything wrong. The plot of this "horror" flick about a newly formed "alien" species is predictable and you can see the "twists" coming from a mile away. The acting is juvenile -- Polley, who brilliantly wrote and directed 2007's Away From Her, should consider staying behind the camera. Splice is so awful that this review doesn't warrant any more discussion, and I'll leave it at that. Grade: D

"Long Shot"

Back to celebrity worship in this week's quote of the week. I'm not entirely convinced that Sandra Bullock gave the best performance of the year, or even of her career (that was her fiery performance in Crash), but think I may root for her to win the Oscar this March. She gave a great speech when she won her Golden Globe for The Blind Side this past Sunday. I adored her shout out to her husband:

"There's no surprise that my work got better when I met you, because I never knew what it felt like for someone to have my back."

Video embedded below:

A Striking Man

George Falconer is devastated. He's a 52-year-old, closeted, gay, English professor in 1962 mourning the loss of his partner of 16 years. A Single Man follows George (Colin Firth) on a day in which he is determined to change is pain-stricken life. On this day, George teaches students at his L.A. school about invisible minorities, mentors an attractive younger student (Nicholas Hoult), and meets up with his boozy best friend, Charly (Julianne Moore).

A Single Man is the most visually enthralling film of the year, and given the subject matter, it should be one of the most gut-wrenching. However, the beautiful imagery evokes an emotional detachment that works in the film's favor. During the course of the day, George is an auxiliary character in his life, going through the motions as a mere witness. With director Tom Ford's (the fashion designer's first foray into film-making) unique vision, A Single Man is a similar viewing experience. The audience is more a witness, rather than a participant, in the tragedy and triumph of George's life. That distinct separation makes the film, especially the ending, much more thought-provoking and satisfying.

Firth's performance is one for the ages. Regularly type-cast as a nice guy in films like Love, Actually, Bridget Jones's Diary, and Mamma Mia!, he brings incredible depth to A Single Man. His every movement is a remarkable expression of George's all-consuming grief. Moore is equally superb. In only ten minutes on screen, she's altogether hilarious and heartbreaking. Had Mo'Nique not given such a tour-de-force performance in Precious, Moore would be receiving her first, and much-deserved, Oscar this February.

Between the stellar performances, the impeccable visuals, and the haunting score, A Single Man is one of the best films to come from 2009, and one that should never be invisible.

Grade: A

"No One Else"

"You know me so well / You can't even tell / That you're like no one else, that you're like no one else"

Not much of a quote this week, but in celebration of American Idol's new season launching this Tuesday, I thought I'd post a song from my favorite season eight contestant's, Allison Iraheta's, new (and unknown) album.

"No One Else:"

"You Found Me"

I forgot just how much I loved Juno, until I re-watched it again this weekend. I love everything about it. One of my favorite scenes comes near the end of the film when Juno tells her dad that she's doubting love. His response, while simple, is the perfect definition of what we're all looking for.

Juno: "I just need to know that it's possible that two people can stay happy together forever. "

Mac: "Well, it's not easy, that's for sure. Now, I may not have the best track record in the world, but I have been with your stepmother for 10 years now and I'm proud to say that we're very happy. Look, in my opinion, the best thing you can do is find a person who loves you for exactly what you are. Good mood, bad mood, ugly, pretty, handsome, what have you, the right person is still going to think the sun shines out your ass. That's the kind of person that's worth sticking with."

Quick and Dirty

Three more movies this week, and three more not-quite-detailed-enough reviews.

The Road: Desolation is the name of the game in the film adaptation of Cormac MaCarthy's The Road. Starring Viggo Mortensen and Kodi Smit-Mcphee as a father and son trying to survive in a post-apocalyptic world, The Road thrives on hopelessness, but doesn't quite succeed. It's never established what brought devastation to the planet, but that doesn't matter. The world is a place of filth and destruction, and the scenery serves as a major character. The backdrops are breathtaking and callous, providing an overwhelming sense of isolation. However, that's The Road's greatest asset. There isn't much of a plot in the film, it's plainly a story of a father and son attempting to make it through the day. In order for a story so simple to work, the film needs to grab audience with gut-wrenching emotion, and that's where The Road misses the mark. The Road has all the ingredients to be a unique and moving experience, but it's merely a disturbing movie without any heart. Grade: B

Up in the Air: There hasn't a been a film more timely this year than Jason Reitman's (director of Thank You for Smoking and Juno) latest, Up in the Air. George Clooney is Ryan Bingham, a middle-aged man devoted to his job as a "corporate grim reaper." He flies across the country firing people whose bosses are too chicken to do the dirty work. It's on his cross-country travels that Ryan meets his equal, Alex (Vera Farmiga). When she describes herself to Ryan she says, "think of me as yourself, only with a vagina." However, the pair's love affair is thrown into limbo when a recent college graduate (Anna Kendrick) proposes that Ryan's company round up the traveling "firing squad" and conduct all firings via the Internet. The events (and surprises) that follow are storytelling at its best. Clooney was made for this role, and Farmiga is superb as his sparring partner. It's the role of her career, and the chemistry between she and Clooney is reminiscent of other great Hollywood pairings. Kendrick too is a standout, she sheds any memory of appearing in the Twilight films, and creates a character that is both high-strung and emotionally transparent. Above all, it's Up in the Air's timeliness that determines its success. As thousands of Americans continue to lose their jobs, Up in the Air shows us that it's not our careers that define us, rather that we are defined by those we love -- and they're the reason we wake up every morning. Grade: A

The Young Victoria: God Save Emily Blunt. In The Young Victoria, an overly-romanticized tale of the life and times of England's Queen Victoria, Blunt transcends an unfocused script and mediocre direction to do the improbable -- she makes The Young Victoria watchable. The film begins with Victoria as a teenager destined for the throne, and follows her through her initial years as ruler. The script jumps between the political and the romantic, dabbling in the story of Victoria's scheming family while touching on her desire to find a loving and equal partner. The film doesn't go far enough with either subject, merely skimming the drama, and as a result The Young Victoria is a bore. Blunt, however, saves the day. Her Victoria is unabashed and layered, and had the film been better, the Oscar buzz surrounding this must-see performance would be deafening. Grade: B-